Bleib Wie Du Bist 1978
| Stay as You Are | |
|---|---|
 The states theatrical release affiche | |
| Directed by | Alberto Lattuada |
| Screenplay past | Alberto Lattuada Enrico Oldoini |
| Story by | Enrico Oldoini Paolo Cavara |
| Produced past | Giovanni Bertolucci |
| Starring | Nastassja Kinski Marcello Mastroianni Barbara De Rossi Ania Pieroni |
| Cinematography | José Luis Alcaine |
| Music past | Ennio Morricone |
| Distributed past | Columbia Pictures (Internationally) |
| Release appointment |
|
| Running time | 95 minutes |
| Countries | Italian republic Spain |
| Language | Italian |
Stay every bit Yous Are (Italian: Così come sei), besides known equally Stay the Manner Y'all Are , is a 1978 erotic drama moving picture, directed by Alberto Lattuada, starring Nastassja Kinski, Marcello Mastroianni, Barbara De Rossi, and Ania Pieroni.[one] An Italian–Spanish co-product, it follows the May–December romance between a vivacious young coed and a middle-aged professional who is unhappy in his marriage.
New Line Cinema gave the movie a limited theatrical release in the United States on 21 December 1979. The film was scheduled for release by Cult Epics in May 2015 on DVD and Blu-ray.[ii]
Plot [edit]
While in Florence on business organisation, Roman mural architect Giulio Marengo meets an alluring college student, Francesca, and spends the night with her. She is the foster daughter of an agriculturist named Bartolo who has looked after her since the death of her mother, Flora. Later, a friend of Giulio's sees Francesca in a eatery and implies that she might be Giulio's daughter. Information technology is a possibility since Giulio had been going out with Flora the year earlier Francesca was built-in. Shocked by the idea, Giulio tries to cool his human relationship with Francesca. Meanwhile, he is distracted by the revelation that his unmarried daughter Alexandra, who is almost the same age equally Francesca, is pregnant.
Giulio tries unsuccessfully to become to the truth of his alleged paternity, and finally decides to tell Francesca the reason for his conflicting beliefs. She flatly dismisses the insinuation, however, saying she regards Bartolo as her only true father. She then accompanies Giulio on an uninhibited holiday in Madrid, where Alexandra has gone to try to sort things out with her lover. Upon returning to Florence, Giulio must get dorsum to Rome to attend to his business affairs, just that night, Francesca insists they encounter the movie Vampyr together, and he falls asleep. Upon waking upwards, she is nowhere to be seen, indicating that their love affair has run its form.
Cast [edit]
- Marcello Mastroianni as Giulio Marengo
- Nastassja Kinski every bit Francesca
- Francisco Rabal as Lorenzo
- Mónica Randall as Luisa Marengo
- Ania Pieroni as Cecilia
- Barbara De Rossi every bit Alexandra Marengo
- José María Caffarel as Bartolo
- Giuliana Calandra as Teresa
- Maria Pia Attanasio equally Countess Archi
- Raimondo Penne every bit Notary
- Claudio Aliotti
- Massimo Bonetti as the Equus caballus Trainer
- Mario Cecchi as the Gardener
- Adriana Falco as Giulio'due south secretarial assistant
- Rodolfo Bigotti
Production [edit]
With Stay every bit You Are, I dropped the grotesque style that had characterized my terminal film. I went back to the spirit of Guendalina and Sweetness Deceptions, of which Stay as You Are is the ideal sequel.
—Lattuada, on his thematic approach[3]
Director Alberto Lattuada shot scenes for the film at various locations in and around Florence, including the Piazza San Giovanni, the Piazza San Marco,[four] and the Boboli Gardens.[five] The opening title sequence was shot on the grounds of Villa La Pietra.[4]
The musical score was composed past Ennio Morricone, who previously collaborated with the director on Matchless. A soundtrack album was released in 1978 by Cinevox,[half dozen] and once more on 14 July 1995 past Prometheus Records.[7] The soundtrack is notable for its inclusion of the love theme "Amore per Amore", besides as the two disco tracks "Dance On" and "Spazio 1999".[8]
Reception [edit]
This picture show received positive reviews, peculiarly for Nastassja Kinski'southward performance. According to the American poster for this film, Bruce Williamson of Playboy called it "A truly sexy picture show".[9] Time mag as well praised Kinski's functioning maxim, "Kinski is simply ravishing, genuinely sexy and high-spirited without being painfully aggressive well-nigh information technology."[ten] Conversely, Janet Maslin of The New York Times chosen the film "dangerously smarmy at times—unsafe because its cheapness undermines Mr. Mastroianni's essentially serious performance, which is the backbone of the movie. The film works all-time when the story seems to generate its sexual encounters spontaneously. But there are too many times when the plot looks similar a pretext for stringing together amorous interludes."[11]
Because Kinski was just 17 years old at the time, her many nude scenes created controversy.[12] She has since disapproved of the nudity in the motion picture on a number of occasions. Recalling the film in a 1981 interview with People, Kinski said, "There was no ane prepared to say, 'She shouldn't practise that. There is no point.' No ane to protect me. I was just a young daughter, in Italia. Information technology was stupid."[thirteen] In 2001, Kinski reiterated her dissatisfaction with her performance: "Let'south put information technology this fashion, if that was my girl, I wouldn't allow that. I wouldn't allow certain people to say certain things or to effort certain things."[14]
References [edit]
- ^ "Cosi' come sei (1978)". Movies & Television receiver Dept. The New York Times. 2009. Archived from the original on 4 August 2009. Retrieved 29 March 2009.
- ^ "Archetype Alberto Lattuada Film Heading to Blu-ray". Blu-ray.com. three March 2015. Archived from the original on vi March 2015. Retrieved 28 March 2015.
- ^ Cosulich, Callisto (1 Jan 1985). I film di Alberto Lattuada (in Italian). Rome: Gremese Editore. p. 114.
- ^ a b Zambenedetti, Alberto (xv October 2014). World Film Locations: Florence. Intellect Ltd. pp. 68–69.
- ^ Simonis, Damien (i March 2006). Lonely Planet Florence (City Guide) (4th ed.). Lonely Planet. p. 124.
- ^ "Morricone, Ennio – Cosi' Come Sei (Soundtrack)". Cvinyl.com. Archived from the original on 2 April 2015. Retrieved 28 March 2015.
- ^ "Stay as You Are – Ennio Morricone". AllMusic. All Media Network. Archived from the original on 11 Nov 2014. Retrieved 28 March 2015.
- ^ Southall, James (3 August 2012). "Cosi Come Sei soundtrack review". Movie Wave. Archived from the original on 2 April 2015. Retrieved 28 March 2015.
- ^ "Stay As You Are: Product Details". MovieGoods.com. Archived from the original on 21 October 2012. Retrieved 22 August 2012.
- ^ "Cinema: Boulder Taboo". Time. 21 Jan 1980. Archived from the original on 13 June 2008.
- ^ Maslin, Janet (21 December 1979). "Film: A New Mastroianni: Romance Across Time". The New York Times. Archived from the original on two Apr 2015. Retrieved 28 March 2015.
- ^ Lester, Peter (13 April 1981). "After 'Tess' and Roman Polanski, Nastassia Kinski Trades Notoriety for 50.A. Propriety". People. Vol. xv, no. fourteen. Archived from the original on nine September 2012. Retrieved 28 March 2015.
- ^ "Daddy's girl". The Guardian. 2 July 1999. Archived from the original on 4 April 2017. Retrieved 28 March 2015.
- ^ Jenkins, David (January 2001). "Nastassja Kinski interview: 'I've had such low self-esteem'". The Daily Telegraph. Archived from the original on 19 June 2016. Retrieved 4 April 2018.
External links [edit]
- Stay as Yous Are at IMDb
- Stay as Yous Are at Rotten Tomatoes
Source: https://en.wikipedia.org/wiki/Stay_as_You_Are
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